Red Lilies, Water Birds
Each of the nine stories within the exhibition provokes an examination of such currents, through the colours, patterns, motifs and techniques that divergently characterise their desirability and production in different parts of the country.
Anegundi has been selected to allow its proximity to the historical trade centre at Hampi and the emergence of contemporary craft practices within the village, facilitated by The Kishkinda Trust, to act as catalysts for interdisciplinary conversations around craft and conservation.
Simultaneously, the exhibition’s location in north Karnataka is part of an effort to situate the exhibition of textiles out of metropolitan contexts and closer to craft clusters, to inspire innovative engagements between creators, researchers, entrepreneurs and other stakeholders. This was further enabled in Anegundi through CCBPRoots, a parallel program organised by the Creative and Cultural Business Program (CCBP) at the Indian Institute of Management, Ahmedabad, which aimed at future collaborations with artisans associated with the National Federation of Handloom and Handicrafts and the institute's diverse alumni network.